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Film critic and expert Dilip Thakur analyses all that was right about SRK‘s Diwalirelease from 1993, Baazigar. Thakur reveals, “The audiences also wanted the type of hero, which they saw a glimpse of but didn’t actually find in Sanjay Dutt’s Khalnayak.Khalnayak was released in August 1993, and three months laterBaazigar hit theatres. People gave their nod to Baazigar, as in, they accepted the new type of hero.”
Shah Rukh was charismatic in Baazigar, but he wasn’t your typical good guy. Thakur reasons, “Look at it, the hero (SRK) kills the heroine (Shilpa Shetty) and walks away coldly. People would have never accepted that before. Khalnayak was a hit but with Baazigar, people showed their acceptance to the anti-hero, so to speak.”
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Baazigar was certainly not the first time Shah Rukh played a character with grey shades. But post-Baazigar, SRK found himself being cast repeatedly in the anti-hero role. Thakur analyses, “Deewana was released in September 1992. People liked Shah Rukh. Deewana was followed by some more films of SRK. Baazigar was released on November 12, 1993. And on November 24, 1993, Darr was released. He got the build-up. Thankfully, SRK did not get trapped in his anti-hero image, except for Anjaam. People loved his romantic hero image from Dilwale Dulhaniya Le Jayenge. Shah Rukh was just what the audience needed at that time. It was the start of globalization in India. There was a new audience watching movies. Amitabh Bachchan had taken a break. Sanjay Dutt was in jail. Suniel Shetty and Akshay Kumar had not yet settled in. Anil Kapoor and Jackie Shroff were also trying to find their place. According to me, the audience needed a ‘hero’ after Amitabh Bachchan and they found that hero in Shah Rukh Khan.”
Many actors including Salman Khan had refused to do Baazigar but Shah Rukh Khan dared to take up the role. Thakur reminices the rewards that SRK received for taking the risk of doing Baazigar. He states, “When SRK received the Filmfare award for Baazigar, he went to Abbas-Mustan’s house at 4 am. The director duo used to live in a joint family in a chawl in South Mumbai. SRK went to their house with his trophy. They were impressed and the residents of the chawl also got to know that Shah Rukh Khan had come to their chawl.”
Baazigar was more than a watershed moment in SRK’s rise to superstardom. It was a testament to his ability to be different and brave. Thakur says, “I think SRK showed the kind of audacity that one must show professionally, he did it at the right time and he became a star. The dialogue, ‘Haar kar jeetne wale ko baazigar kehte hain’ and the songs were hit. With Baazigar, we got a new on-screen pair as well. That of the iconic SRK-Kajol.”
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